That Drifting Excrement Was Way Too Meaningful! It's the TV Letdowns of the Past Year.

As we reflect on the television landscape of the recent year, a handful of series stand out not for their brilliance, but for their notable shortcomings. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that had us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Burdened with woeful writing, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to justify its existence. For a moment, as the final series began, it seemed as if it had at last found its groove. Then came an installment centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the final season. It ended on a bum note; the lingering shot of Miranda’s toilet flooded with poo was just way too on-the-nose. Yet, fans certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this show's problems. The subject of a very rare zero star assessment, it was difficult to know where to start listing the problems. The hilariously leaden writing? The tedious veneration of wealth and consumption? The seemingly deliberate procession of cliches? Acting so bad they felt almost spiteful? Let’s just say “each and every one” and never speak of this show again. Except, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part docuseries which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to endure close contact with this charismatic but dismissive egotist.

The Supercomputer Drama

Naturally we knew it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure admiration for its stars 
 but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ended up slicing Charlie with an axe 
 in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t suffer the ignominy of having to accommodate baffling accents. But there were many other problems. Mainly that it was just really boring; a dispute over drug-selling territory between various cockney picaresques which seemed a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain ostentatiously enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s televised forays into quaint lifestyle as intentional provocations. But then you watch them and are compelled to admit that in this case, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by vast, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this three-part series opted not to say them. Instead, the experience was akin to consuming a sales catalogue. She obviously has every right to resent what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded letdown of a series.

The Game Show

It had the potential to be the next big hit – except even camper, with a glamorous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you want? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of gifted emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lurching from oddly breezy, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

Prime Target

We love the lead actor 
 but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies targeting – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for sexual escapades as she undertook her most extreme feat yet. What on earth would possess her? What we wanted was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who showed up to haul her son away from the queue. What we got was disturbing imagery and absolutely no critical analysis of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Ryan Cummings
Ryan Cummings

A seasoned journalist with a passion for uncovering stories that shape Las Vegas, bringing over a decade of experience in local news reporting.